![]() ![]() Tomoki Miyoshi: Having had the incredible opportunity of being introduced to various cultures, philosophies, art, and the people of many different countries in my youth has definitely had an enormous impact on how I approach life, especially in my creative endeavors. Did all of it bear an impact on yourself and your creativity? : You’re a man of three continents: born in Japan, raised in Australia, educated in USA as well. Hiroaki Yura, Nobuo Uematsu and Tomoki Miyoshi I’ve always loved to listen to music, but I had never imagined that I would ever play a musical instrument, let alone compose symphonic music! I fell in love with the music of the many great masters of composition in the beginning stages such as Beethoven, Chopin, Bartok and Prokofiev, but later became greatly inspired by masters of film and video game composition such as Ryuichi Sakamoto, Nobuo Uematsu, Joe Hisaishi, and Thomas Newman. Tomoki Miyoshi: I began to take serious interest in music at the age of 15 while living in Sydney, Australia. When has your adventure with music begun? : Before we move to I am Setsuna, let’s talk about you for a while. So, who is this “novice” and what was his career path? What can he tell about his dynamic debut as a standalone composer? We talk with him about all those matters and many more, plus of course about I am Setsuna OST. He decided to cast away the nostalgia and create something that doesn’t try to resemble another Chrono Trigger. He still has to make a name for himself in this industry, but he already has multiple professional achievements. ![]() Tomoki Miyoshi – a very young composer who is not very experienced yet. However, one of the most interesting aspects of the game is… the person behind its music. Among the many voices of praise and sympathy, there were also those saying that the game is decent at best. It’s something we fell in love with, and it was supposed to be reborn like a phoenix. I Am Setsuna seemed like a true return to the roots of jRPG – the experience we remember from the eighties and nineties. ![]()
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